Outside all was calm and quiet. The night was fine, and the stars were twinkling brightly overhead. The little front garden lay before the farmer’s eyes bounded by the fence and gate, but neither there nor on the road was any human being to be seen. With a sigh of relief, Ferrier looked to right and to left, until, happening to glance straight down at his own feet, he saw to his astonishment a man lying flat upon his face upon the ground, with arms and legs all asprawl.

So unnerved was he at the sight that he leaned up against the wall with his hand to his throat to stifle his inclination to call out. His first thought was that the prostrate figure was that of some wounded or dying man, but as he watched it he saw it writhe along the ground and into the hall with the rapidity and noiselessness of a serpent. Once within the house the man sprang to his feet, closed the door, and revealed to the astonished farmer the fierce face and resolute expression of Jefferson Hope.

“Good God!” gasped John Ferrier. “How you scared me! Whatever made you come in like that?”

“Give me food,” the other said, hoarsely. “I have had no no time for bite or sup for eight-and-forty hours.” He flung himself upon the cold meat and bread which were still lying upon the table from his host’s supper, and devoured it voraciously. “Does Lucy bear up well?” he asked, when he had satisfied his hunger.

“Yes. She does not know the danger,” her father answered.

“That is well. The house is watched on every side. That is why I crawled my way up to it. They may be darned sharp, but they’re not quite sharp enough to catch a Washoe hunter.”

John Ferrier felt a different man now that he realized that he had a devoted ally. He seized the young man’s leathery hand and wrung it cordially. “You’re a man to be proud of,” he said. “There are not many who would come to share our danger and our troubles.”

“You’ve hit it there, pard,” the young hunter answered. “I have a respect for you, but if you were alone in this business I’d think twice before I put my head into such a hornet’s nest. It‘s Lucy that brings me here, and before harm comes on her I guess there will be one less o’ the Hope family in Utah.”

“What are we to do?”

“To-morrow is your last day, and unless you act to-night you are lost. I have a mule and two horses waiting in the Eagle Ravine. How much money have you?”

“Two thousand dollars in gold, and five in notes.”

“That will do. I have as much more to add to it. We must push for Carson City through the mountains. You had best wake Lucy. It is as well that the servants do not sleep in the house.”

While Ferrier was absent, preparing his daughter for the approaching journey, Jefferson Hope packed all the eatables that he could find into a small parcel, and filled a stoneware jar with water, for he knew by experience that the mountain wells were few and far between. He had hardly completed his arrangements before the farmer returned with his daughter all dressed and ready for a start. The greeting between the lovers was warm, but brief, for minutes were precious, and there was much to be done.

Birkin knew this. He knew that Gerald wanted to be FOND of him without taking him seriously. And this made him go hard and cold. As the train ran on, he sat looking at the land, and Gerald fell away, became as nothing to him.

Birkin looked at the land, at the evening, and was thinking: ‘Well, if mankind is destroyed, if our race is destroyed like Sodom, and there is this beautiful evening with the luminous land and trees, I am satisfied. That which informs it all is there, and can never be lost. After all, what is mankind but just one expression of the incomprehensible. And if mankind passes away, it will only mean that this particular expression is completed and done. That which is expressed, and that which is to be expressed, cannot be diminished. There it is, in the shining evening. Let mankind pass away—time it did. The creative utterances will not cease, they will only be there. Humanity doesn’t embody the utterance of the incomprehensible any more. Humanity is a dead letter. There will be a new embodiment, in a new way. Let humanity disappear as quick as possible.’

Gerald interrupted him by asking,

‘Where are you staying in London?’

Birkin looked up.

‘With a man in Soho. I pay part of the rent of a flat, and stop there when I like.’

‘Good idea—have a place more or less your own,’ said Gerald.

‘Yes. But I don’t care for it much. I’m tired of the people I am bound to find there.’

‘What kind of people?’

‘Art—music—London Bohemia—the most pettifogging calculating Bohemia that ever reckoned its pennies. But there are a few decent people, decent in some respects. They are really very thorough rejecters of the world—perhaps they live only in the gesture of rejection and negation—but negatively something, at any rate.’

‘What are they?—painters, musicians?’

‘Painters, musicians, writers—hangers–on, models, advanced young people, anybody who is openly at outs with the conventions, and belongs to nowhere particularly. They are often young fellows down from the University, and girls who are living their own lives, as they say.’

‘All loose?’ said Gerald.

Birkin could see his curiosity roused.

‘In one way. Most bound, in another. For all their shockingness, all on one note.’

He looked at Gerald, and saw how his blue eyes were lit up with a little flame of curious desire. He saw too how good–looking he was. Gerald was attractive, his blood seemed fluid and electric. His blue eyes burned with a keen, yet cold light, there was a certain beauty, a beautiful passivity in all his body, his moulding.

‘We might see something of each other—I am in London for two or three days,’ said Gerald.

‘Yes,’ said Birkin, ‘I don’t want to go to the theatre, or the music hall—you’d better come round to the flat, and see what you can make of Halliday and his crowd.’